rehearsal direction

I assist directors and choreographers in creative processes to aid in a better connection between them, the work and their dancers. I have the capacity to communicate with clarity and consideration towards different creatives present in devising, researching and making processes and believe I instill trust and encourage confidence in others.

I have an eye for detail and can guide performers in their processes in the studio to find their best ability to serve the work.I am passionate about communicative, supportive, fun and diligent work environments.

Credits include Clod Ensemble and Jose Agudo Dance.

029 Lucia Teaching Intoto [Henry Curtis].jpeg

dramaturgy

033 Lucia Teaching Intoto [Henry Curtis].jpeg

I support directors and choreographers throughout their creative process, helping them get a clearer sense of the work they’re making. I bring an impartial, objective eye that can open up new perspectives, but most of all, I aim to bring clarity and a sense of direction.

I’m deeply curious about the idiosyncrasies and behaviours that make us human, and how we choose to represent those subtleties through the body in performance. I work with all kinds of narrative—abstract, metaphorical, naturalistic—and I’m just as interested in how bodies move through space to create meaning.

I’m always looking to expand and challenge my own perspectives, so I can stay open and responsive to the world around me. I care about being aware—of current conversations, cultural shifts, and how they shape the way we see and interpret things, both in life and on stage.

Credits include Bea Bidault and Fueradeleje.